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With the notable exception of Minaj going absolutely apeshit on “Monster,” West commands other rappers and his handpicked beats like Brian Wilson did his studio. No one man should have all this power, but that’s exactly what West seems has. It’s about a “Monster.” His perspective is so warped that it never seems arrogant for him to say, “I think I fell in love with a porn star” or to force an ingénue to come crawling back to Chris Rock with a whole new set of in-bed moves cooing “Yeezy reupholstered my p*ssy.” West realizes how he is viewed (“LOOK AT CHA” from “Runaway”) and instead of throwing a hissy fit or building a Jay-Z-esque wall of “I got a Bentley, so suck it,” he plays along.įantasy is about a character created by the media and the public. Of course, it’s more like great art through a fun house mirror. However, Fantasy is certifiably dark.Ībove the darkness and his desire to seem awash in women, money and fame, West skillfully elevated the sum of his parts into a stratosphere rap rarely comes close to - great art. In his own self-contained world, West could have easily created 808s & Heartbreaks 2: I’m Still Whining.
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He moved to Hawaii, sequestering himself in a studio with invited guests such as Raekwon, Rick Ross, Nicki Minaj and even fucking Bon Iver. Given all this information, why does Kanye West seem like the transcendent, singular example of all the unique elements of rap? And why, after Late Registration, College Dropout, 808s and Heartbreaks and (less so) Graduation, does My Beautiful Dark Twisted Fantasy feel like the best example of how beautiful West can make rap sound?Īfter releasing two less than perfect records and scaring off the monolith legend of his jaw wired shut and his go-getter past, West did what any man in the middle of mid-life crisis would do. Most of all, a ton of rappers could be identified as misogynist nymphomaniacs with little regard for women beyond holes with breasts. Quite a few rappers are educated to a fairly high degree or possess the practical knowledge to operate well outside the rap game. Thousands of rappers have made albums so self-involved they seem to almost inhabit a world onto themselves. Hip-hop has been around far too long to have a Brian Wilson in 2010, let alone a Pet Sounds.